Said Amir Shah was a London-based silk merchant and warehouseman. He ran a business with his brother Fazal Shah on White Church Lane, and held a shop at 36 Montague Street. He also worked as a contractor for film companies, finding Indians (predominantly former lascars and hawkers) for crowd scenes, and in 1942 founded a company named Shah Film Corporation with John Kartar Singh and Herbert Bundy as his co-directors. A highly resourceful individual, during his time in Britain Shah was involved in a number of anti-colonial organizations and activities. Indeed, V. K. Krishna Menon reportedly cultivated Shah because of his connections, especially with working-class Indians in the East End of London.

Government officials first became aware of Shah through his involvement with the London branch of the Indian National Congress in the 1930s. After a brief period of involvement with the East End branch of Menon’s India League, he went on to become a prominent figure in the Committee of Indian Congressmen (led by Amiya Nath Bose and Pulin Behari Seal), under whose auspices he created an Indian National Muslim Committee which was strongly anti-Pakistan. He also aided lascars in their struggle for workers’ rights, acting as a court interpreter for those involved in criminal cases, and was an active member of the Hindustani Social Club.

In addition, Shah was a leading figure in the Jamiat-ul-Muslimin; in the 1940s he held the post of treasurer, and, according to government reports, he was responsible for opening various provincial branches of the organization in Birmingham, Manchester and Glasgow. Shah campaigned for a mosque to serve the Muslim community in the East End of London, and was instrumental in the foundation of the East London Mosque in 1941. He made a speech at its inauguration ceremony, and played a leading role in its management and affairs subsquently. He was the main agitator on behalf of the Jamiat-ul-Muslimin in its struggle against the trustees for control over the mosque in 1943.

The actress Devika Rani was Rabindranath Tagore’s grand-niece and the daughter of the first Indian surgeon general M. N. Chaudhuri. Devika Rani lived in London in the mid-1920s, studying at the Royal Academy of Dramatic Arts (RADA) and the Royal Academy of Music. She also studied architecture and textile design and was for a while apprenticed to the studio of Elisabeth Arden. She met Himanshu Rai in London in 1928. He had originally trained as a lawyer but had become a film director and asked Devika Rani to design his next film, A Throw of Dice (1929). They married in 1929. The film was edited in Germany where Devika Rani met film directors such as Sternberg, G. W. Pabst and Fritz Lang, which heightened her interest in film-making. She subsequently joined UFA studios in Berlin, where she assisted Marlene Dietrich on the set of Der Blaue Engel (1930). She also briefly worked with Max Reinhardt. One of the early BBC broadcasts to India included a Devika Rani recital (15 May 1933). Rai and Devika Rani starred together in the film Karma (1933), which was completed at the Stall Studios in London. The film was the first Indian Talkie in English and Hindustani to be released in England, Europe and India. The film had its premiere, attended by the former Viceroy to India, Lord Irwin, in London in May 1933, and was well received by the critics and a big hit with the public. After the successful premiere of Karma, Devika Rani was asked by the BBC to act in an early television broadcast in Britain and was also chosen to inaugurate the first BBC broadcast on the short wavelength to India in May 1933.

Devika Rani and Rai returned to Bombay and set up the Bombay Talkies studio in 1934. It was hailed as one of India’s best-equipped studios and enlisted the work of cinema practitioners like the German director Franz Osten, and the cameraman Carl Josef Wirsching. The studio also launched the careers of many cinema icons of the immediate post-independence era, such as Ashok Kumar, Dilip Kumar and Raj Kapoor. After the death of her husband in 1940, Devika Rani became the manager of Bombay Talkies. In 1945 she married the Russian artist Svetoslav Roerich and sold her shares in Bombay Talkies. In 1953 she was awarded the Padamshree and in 1969 the Dadasaheb Phalke Award for Lifetime Achievement in Cinema.

 Sabu became in the 1930s Britain's first leading film star of Indian origin, who achieved international fame as well. His first big break came when the veteran documentary film maker Robert Flaherty cast him as Toomai, the lead role in the Alexander Korda-produced Elephant Boy (1937) based on Kipling’s story ‘Toomai of the Elephants’.

Sabu was born on 27 January 1924 in Karapur, Mysore. He was orphaned at an early age – his mother died when he was very young and he was raised by his father, a mahout, or elephant driver, who died in 1931. The six-year-old Sabu became the ward of the Maharaja of Mysore, where he worked first as a stable boy, then as a mahout. Elephant Boy had a troubled two-year gestation, with Flaherty being replaced by Zoltán Korda as director and Sabu brought to England for further filming. Although the film received mixed reviews, it made Sabu an instant star and the film was a big box-office hit. The film was the official British entry at the Venice Film Festival and won the award for best direction. While in London, Sabu was taken on a tour of the British capital, broadcast over the BBC, televised at Alexandra Palace, sat for a sculpture by Lady Kennet and a portrait by Egerton Cooper. Alexander Korda quickly signed him up to a long-term contract. He starred for Korda in The Drum (d. Zoltán Korda, 1938) based on the novel by A. E. Mason, in which he plays young Prince Azim.

He went on to star as Abu in The Thief of Bagdad (1940). Sabu remained in Hollywood for the duration of World War II. He made a final film for Korda and London Films, The Jungle Book (1942), in which he played Mowgli. He remained in Hollywood after his contract expired; signing with Universal Pictures. He adopted US citizenship in 1944 and joined the US Air Force, flying several missions as a tail-gunner towards the end of the war. He was awarded the Distinguished Flying Cross.

He returned to Britain in 1946, where he joined the director/producers Michael Powell and Emeric Pressburger for his last two British films. In Black Narcissus (1947), in which Sabu gives his most nuanced performance, he plays a young general. The End of the River (1947) gave him another leading role. In 1952/53 he returned briefly to the UK, to perform an elephant act at the Haringey Circus. Sabu spent the rest of his career making relatively undistinguished Hollywood films and building a successful career in property. He died of a heart attack at the age of 39, shortly after completing the film A Tiger Walks (1963) with Disney