Selected Works:
Art and Alienation: The Role of the Artist in Society (London: Thames and Hudson, [1907])
Songs of Chaos (London: Elki, Mathews, 1915)
Eclogues: A Book of Poems (Westminster: Cyril W. Beaumont, 1919)
Naked Warriors (London: Art & Letters, 1919)
Mutations of the Phoenix (Richmond: L. and V. Woolf, 1923)
In Retreat (London: L. & V. Woolf, 1925)
English Prose Style (London: G. Bell & Sons, 1928)
Phases of English Poetry (London: L. & V. Woolf, 1928)
The Sense of Glory: Essays in Criticism (Cambridge: Cambridge University Press, 1929)
Ambush (London: Faber and Faber, 1930)
The London Book of English Prose (London: Eyre and Spottiswoode, 1931) (with Bonamy Dobree)
The Meaning of Art (London: Faber & Faber, 1931)
The Place of Art in a University (Edinburgh: Oliver and Boyd, 1931)
Form in Modern Poetry (London: Sheed and Ward, 1932)
Art Now: An Introducton to the Theory of Modern Painting and Sculpture (London: Faber and Faber, 1933)
The Innocent Eye (London: Faber and Faber, 1933)
Art and Industry (London: Faber and Faber, 1934)
Henry Moore, Sculptor: An Appreciation (London: A. Zwemmer, 1934)
Unit One: The Modern Movement in English Architecture, Painting and Sculpture (London: Cassell, 1934)
Essential Communism (London: Stanley Nott, 1935)
Art and Society (London: Faber and Faber, 1936)
Surrealism (London: Faber and Faber, 1936)
Annals of Innocence and Experience (London: Faber, 1940)
English Master Painters (London: Kegan Paul, 1940)
The Philosophy of Anarchism (London: Freedom Press, 1940)
Education Through Art (London: Faber and Faber, 1943)
The Politics of the Unpolitical (London: Routledge, 1943)
The Education of Free Men (London: Freedom Press, 1944)
A World Within a War: Poems (London: Faber and Faber, 1944)
The Grass Roots of Art (London: Lindsay Drummond, 1947)
Existentialism, Marxism and Anarchism ([s.n.]: [s.n.], 1949)
The London Book of English Verse (London: Eyre & Spottiswoode, 1949) (with Bonamy Dobree)
Education for Peace (London: Routledge and Kegan Paul, 1950)
Art and the Evolution of Man (London: Freedom Press, 1951)
Byron (London: Longmans, 1951)
The True Voice of Feeling (London: Faber and Faber, 1953)
Icon and Idea: The Function of Art in the Development of Human Consciousness (London: Faber and Faber, 1955)
The Art of Sculpture (London: Faber and Faber, 1956)
Truth is More Sacred (London: Routledge and Kegan Paul, 1961) (with Edward Dahlberg)
The Contrary Experience: Autobiographies (London: Faber and Faber, 1963)
Eric Gill: An Essay (Berkeley Heights, NJ: Oriole Press, 1963)
Henry Moore: A Study of His Life and Work (London: Thames and Hudson, 1965)
The Origins of Form in Art (London: Thames and Hudson, 1965)
The Redemption of the Robot; My Encounter with Education Through Art (New York: Trident Press, 1966)
The Cult of Sincerity (London: Faber, 1968)