Lawrence George Durrell was born in Jullundur, Punjab, India, in 1912 to Lawrence Samuel Durrell and Louisa Florence Dixie, both of whom were also born in India.

In 1923, the family relocated to England where Durrell attended St Olave's and St Saviour's in Southwark before going to St Edmund's College, Canterbury, which he left in 1927. He despised the gloom of London and longed for the security of colonial superiority in India. After his father's death in 1928, he assumed a bohemian lifestyle in London, and attempted to make a name for himself as a poet.

Durrell's first book of poems, Quaint Fragment, was published in 1931, but it was not until the publication of his novel The Black Book in 1938 that he gained some recognition. He befriended other writers such as Henry Miller, Anais Nin, T. S. Eliot and Dylan Thomas. In late 1938, Durrell arranged a dinner for Eliot and Miller which was also attended by M. J. Tambimuttu; Durrell entertained his guests with songs, one of which he dedicated to Tambimuttu. Durrell also contributed to the first issue of Tambimuttu's Poetry London. The two become good friends, and stayed in touch even after Durrell moved to Greece and later to Egypt. Tambimuttu included Durrell in his Poetry in Wartime (1942) and Durrell continued to contribute pieces for Poetry London.

Durrell only returned to England for short periods when he often met Tambimuttu. The two also met in New York after Tambimuttu moved there. Durrell's later years were marred by several divorces and the deaths of close friends. He spent his last years in France where he died on 7 November 1990.

Thomas Stearns Eliot was born in St Louis, Missouri, USA, to Henry Ware Eliot and Charlotte Champe Stearns in 1888. He graduated from Smith Academy, St Louis, in 1905 before studying for a year at Milton Academy, outside Boston, and eventually following his brother to Harvard in 1906. He attained a BA in Comparative Literature in 1909 and an MA in English literature in 1910. From 1910-1911 he studied at the Sorbonne, Paris, before returning to his graduate studies in philosophy at Harvard the following year. As part of his studies there he took courses in Pali and Sanskrit, and on Hindu thought. He also met Bertrand Russell at Harvard.

In the summer of 1914, Eliot went to London on a travelling fellowship. There, he immediately struck up a friendship with Conrad Aiken and Ezra Pound, and in 1915 he was introduced to Vivienne Haigh-Wood whom he married in June of that year. He spent the next years teaching in High Wycombe and Highgate, London, until his first book, Prufrock and Other Observations, was published in 1917. His long poem The Waste Land (1922) consolidated his Modernist breakthrough.

Bertrand Russell introduced Eliot to Lady Ottoline Morrell and the people surrounding Garsington Manor such as Aldous Huxley, D. H. Lawrence, Leonard and Virginia Woolf, Roger Fry, James Joyce and, later, Mulk Raj Anand. In Conversations in Bloomsbury (1981), Anand relates how he first met Eliot at a sherry party at Harold Monro's Poetry Bookshop; also present was Nikhil Sen. By this time, Eliot was the editor of the literary journal Criterion and wanted Anand to to do some work for him. Anand describes more meetings with Eliot in the Criterion office where they would often talk about religion and writing. In 1925, Eliot was made literary editor of Faber & Gwyer (later Faber & Faber). He drew coloser to Christianity, and in 1927 he was baptised into the Church of England. Later that year he became a British citizen.

In the 1930s, Eliot focused less on his own writing and became primarily a cultural critic. After the Second World War he gave up writing poetry altogether and turned his attention to plays and literary essays. In the 1940s, he asked the Ceylonese poet and editor Meary James Tambimuttu to edit the anthology Poetry in Wartime (1942) for Faber. Eliot was a support of Tambimuttu's successful magazine Poetry London. He said of it: 'It is only in Poetry London that I can consistently expect to find new poets who matter' (back cover of Poetry London).

In 1948, Eliot won the Nobel Prize for Literature and was awarded the Order of Merit. In his later years, he assumed a more reclusive lifestyle, sharing a flat with his friend John Hayward in Carlyle Mansions on the Chelsea Embankment, until his marriage to his second wife Valerie Fletcher in 1957 . He died on 4 January 1965 of emphysema at his home in London.

Balachandra Rajan was a scholar of poetry and poetics. He was Fellow of Trinity College, University of Cambridge, 1944–8. He was the editor of a series of slim volumes on literary criticism titled Focus which had at least four issues between 1945 and 1948 and was published by Dennis Dobson. The series had its beginnings at Cambridge, where Rajan co-edited (with Wolf Mankowitz) a collection of criticism titled Sheaf which was published by the university, and authored his own collection of poems, Monsoon and Other Poems. While in Britain, he also contributed poems to literary journals, including Life and Letters Today and Poetry London (indeed he was possibly the only South Asian to contribute to the latter, with the exception of its editor, Tambimuttu). Focus appeared to engage critically with work by some of the big literary names of the day, including Huxley, Sartre, Isherwood and Kafka. Contributors of essays include Kathleen Raine, D. S. Savage and Julian Symons, with poems by e. e. cummings, George Barker, John Heath-Stubbs and Vernon Watkins, as well as Rajan himself.

In 1948, Rajan left England for India where he served in the Indian Foreign Service until 1961, working also with UNESCO, UNICEF and as part of the Indian delegation to the United Nations. Later, he returned to academia, initially at the University of Delhi, before taking up a post at the University of Western Ontario, Canada. Best known for his work on Milton, Rajan completed a critical book on Paradise Lost as well as an edition (with introduction and commentary) of this canonical work. He also wrote on Spenser, Yeats, Marvell, Eliot, Keats and Macaulay, and completed two novels.

A student at King’s College, London, and Girton College, Cambridge in the early 1890s, and a writer of precocious if imitative verse, Naidu was feted in London in the 1900s as the poet of an exoticized India.

From a Bengali family based in Hyderabad, Naidu was sent to Britain in 1895 on the Nizam's scholarship on the strength of her poetry. She was then not married and known as Sarojini Chattopadhyaya. However, she had already embarked on a romantic relationship with Dr Govindarajalu Naidu, in Hyderabad, who had studied medicine at Edinburgh; her father, Aghorenath Chattopadhyaya had also been a student at Edinburgh University.

She became the ward of Elizabeth Manning, the Secretary of the National Indian Association, whose step-mother had been involved in the foundation of Girton College, Cambridge. Naidu was heavily influenced by the poets Edmund Gosse, Arthur Symons and W. B. Yeats. Particularly interesting accounts of her very early Europeanized work appear as the introductions to her second and third collections, by Arthur Symons, and Edmund Gosse respectively. Her poetry also appeared in the Savoy. Appearances and readings by Naidu in the 1900s were reported in the Indian Magazine.

Naidu returned to India in 1898, beset by ill-health, that dogged her throughout her life. She maintained correspondence with poets in Britain but also embarked on a political career. Her returns to Britain were marked by poetry readings and receptions, convalescence in British nursing homes, as well as political rallies and meetings. She joined the Indian National Congress in 1904 and was vocal about women's rights. She gave evidence in 1919 to a Select Committee in favour of the women's vote in India. She also had a public confrontation with Edwin Montagu over the Amritsar Massacre. Naidu had met M. K. Gandhi in London in 1914 and became very close to him. She accompanied him on the famous Dandi salt march and accompanied him to the Round Table Conference in 1931. Naidu was appointed Governer of United Provinces in 1947 and died in office in February 1949.

G. K. Chettur, arrived to study at New College, Oxford, in October 1918, just before the Armistice. He had been educated at Madras Christian College and his father, P. K. Krishna Menon, had been a Government Servant. Funding for his studies at Oxford were supplied by Sir C. Senkaramhair from Simla. He graduated with a Third in history in 1921.

Chettur was a member of the Lotus Club and the Oxford Majlis (he was President in Hilary Term, 1920) and was able to meet Rabindranath Tagore and W. B. Yeats through these societies. Yeats spoke to the Majlis in November 1919 on the poet Manmohan Ghose and Chettur obtained a photo of Yeats in his New College room. Chettur published his first anthology of poems in 1922 with a dedication to Yeats, and was inspired by Yeats to publish his memories of his students days. During his time in Oxford, Chettur met a number of other poets based in Oxford and Sarojini Naidu, who made frequent visits to Oxford. His publications were reviewed in the British Press.

During his student days, Chettur saw the play 'Tilly of Bloomsbury' by Ian Hay, where an Indian student was depicted as a humiliating figure. Chettur was so angry and offended by this portrayal that he wrote a letter to the Vice-Chancellor in complaint. Chettur was principal of the Government College in Mangalore from 1922 and continued to write and publish poetry in India.

Laurence Binyon was a poet, critic, artist, dramatist and curator. He worked in the British Museum from 1892 till his retirement in 1933 and was instrumental in promoting Asian Art in the Museum. He was introduced to Indian literature and philosophy by the poet Manmohan Ghose. They met as schoolboys at St Paul's School, in a seventh form English class when Ghose quoted Othello in class. They became fast friends, bonding over their love for poety and Classics and admiration of Matthew Arnold. Binyon followed Ghose to Oxford in 1888 (Ghose had joined in 1887) and they were involved in producing a short selection of poems under the title of Primavera in 1890, which was among others, reviewed favourably by Oscar Wilde in the Pall Mall Gazette.

In 1910, Binyon became involved with the India Society in London, designed to promote Indian Fine Art. Binyon became friends with the art-historian Ananda Coomaraswamy, who introduced him to Rajput paintings. In June 1912, Binyon met Rabindranath Tagore at William Rothenstein's house and held an admiration for Tagore that lasted until his death. Binyon had been introduced to the work of Tagore by Manmohan Ghose who had returned to India in 1894 but maintained a correspondence for some years - providing inspiration for Binyon's poem 'Asoka' or 'The Indian Prince' in 1900. When Ghose died in 1924, his daughter, Lotika, came to England to meet Binyon and show him her father's manuscripts. This inspired Binyon to write an introductory memoir for an edition of Ghose's poems that was published in 1926 under the title Songs of Love and Death.

Shortly before the Armistice, in November 1918, Binyon met Kedar Nath Das Gupta in London. Das Gupta, a friend of Tagore's, was organizer of the Union of the East and West. He had prepared a rough translation of Sakuntala, which he wished to put on the stage; Binyon agreed to rewrite Kalidasa's play for the stage, and two performances were put on in November 1919, produced by Lewis Casson and starring Sybil Thorndike. In 1920, Binyon gave the inaugural address for the Indian Students' Union and Hostel opened in Gower Street. Another connection to India was realized through Binyon's introduction to the Indian artist, Mukul Dey's My Pilgrimages to Ajanta and Bagh (London: Thornton & Butterworth, 1925). Binyon did not manage to visit India in his lifetime, despite the desires he expressed to the Oxford Majlis society in 1929. Upon his death in 1943, the Oxford Majlis passed a resolution in honour of Binyon as a 'lifelong friend' of India.