Born in Istanbul, Atiya Fyzee was the daughter of Hasanally Feyzhyder, an Indian merchant attached to the Ottoman Court, and his first wife, Amirunissa. Belonging to the prominent Tyabji clan of Bombay, Atiya was one of the first elite Indian Muslim women to receive a modern education, appear in public unveiled and participate in women’s organizations. In her youth, she made important contributions to reformist journals for women in Urdu, including Tahzib un-niswan (Lahore) and Khatun (Aligarh).

While studying at a teachers’ training college in London in 1906-7, she also kept a travel diary that was first serialized in a monthly journal then published as Zamana-i-tahsil ('A Time of Education', 1921). Along with her sisters, Zehra (1866-1940) and Nazli Begum of Janjira (1874-1968), she patronized celebrated Muslim intellectuals such as Maulana Shibli Nomani and Mohammad Iqbal. Their published correspondence, Khutut-i Shibli ba-nam-i muhtarma Zahra Begum sahiba Faizi va ‘Atiya Begum sahiba Faizi (ed. Muhammad Amin Zuberi, 1930) and Iqbal (1947), attests to the close friendships that brought Atiya notoriety in literary and social circles.

Following her marriage to the artist and writer Samuel Rahamin, in 1912, Atiya pursued a variety of cultural activities on the international stage. Among their collaborations was an authoritative book in English on classical Indian music that ultimately went into three editions: Indian Music (1914), The Music of India (1925) and Sangt of India (1942). In this work, Atiya’s impressionistic and colourful prose was used to explicate Samuel’s illustrations of Indian melodies (ragmalas). Atiya also arranged music and choreography for two of her husband’s plays, Daughter of Ind and Invented Gods, when they were staged in London in the 1930s. While abroad, she gave lectures on Indian women, like ‘Epic Women of India’ (1919), which were published in international journals.

At partition, Atiya and Samuel migrated to Karachi with Nazli where they continued to bring together artistes in their private salon at their home, Aiwan-e-Rifat, modelled on their famous Bombay residence. After being evicted in the 1950s, they lived in reduced circumstances, suffering great hardship in their final years.

Una Marson was born and grew up in Jamaica. After her work on the editorial staff of the Jamaica Critic in 1926, she founded her own magazine The Cosmopolitan, which she also edited. Having established herself in Jamaica, Marson moved to London in 1932 to experience life outside Jamaica and to find a wider audience for her literary work. She lodged with Harold Arundel Moody, and became involved with the League of Coloured Peoples. She worked for the League as its unpaid Assistant Secretary, organising student activities, receptions, meetings, trips and concerts. During her stay in England from Marson continued to publish on feminist issues, as she had in Jamaica. She also became increasingly interested in discussions about race, eugenics and the colour-bar, focussing on the most pressing issues faced by black migrants living in Britain.

During her first stay in Britain, Marson organized, staged and compered an evening of entertainment at the Indian Students Hostel. The line-up included the American singer John Payne, the pianist Bruce Wendell and the Guyanese clarinettist Rudolph Dunbar. By 1937 she was editor of the League’s journal and its spokesperson, working closely with Moody. Marson was also a member of the International Alliance of Women for Equal Suffrage and Citizenship and the British Commonwealth League (BCL). At the latter she met Myra Steadman, daughter of the suffragette Myra Sadd Brown. The All India Women’s congress was affiliated with the BCL. During the period she also became involved with the Left Book Club and encountered the writings of Rabindranath Tagore.

After two years in Jamaica, Marson returned to Britain in 1938. In 1939 Marson was offered work by the BBC as a freelancer for the magazine programme 'Picture Page' to arrange interviews with visitors from the Empire. She also drafted three-minute scripts for the programme. After the outbreak of the Second World War, Marson lectured occasionally at the Imperial Institute and worked as a talks and script writer for the BBC. In 1941 she was appointed full-time programme assistant to the BBC Empire Service, where she hosted and coordinated the broadcasts under the title 'Calling the West Indies'.

In November 1942 George Orwell asked her to contribute to the six-part poetry magazine 'Voice', broadcast on the Indian Section of the BBC’s Eastern Service, with Marson taking part in the fourth programme dedicated to American poetry, which also featured William Empson. She read her poem ‘Banjo Boy’. In the December edition of the programme she appeared alongside M. J. Tambimuttu, T. S. Eliot, Mulk Raj Anand, Narayana Menon and William Empson. This led Una to devise a similar programme for the West Indies, titled 'Caribbean Voices', which in later years under the direction of Henry Swanzy would introduce authors such as George Lamming, Sam Selvon, V. S. Naipaul and Edward Kamau Braithwaite to a wider audience. The programme ran for fifteen years until 1958. She returned to Jamaica in 1945 and died in 1965 from a heart attack.

C. L. R. James was born in Caroni, Trinidad, to Robert Alexander James and Ida Elizabeth Rudder. The family moved to Tunapuna, where James' friend Malcolm Nurse (George Padmore) lived. After graduating from Queen’s Royal College he pursued a writing career, publishing the short story ‘La Divina Pastora’ in 1927. At a similar time, he befriended the cricketer Learie Constantine, who moved to England in 1929. On his arrival in England in early 1932 James stayed with Constantine in Nelson, Lancashire, before moving to London in 1933.

James' collection of essays written for the Port of Spain Gazette shortly after his arrival in Britain (published as Letters from London, 2003) indicate his position on the fringes of the Bloomsbury Group. In London, he was invited to join the Friends of India Society and to lecture on any subject connected with the West Indies at the Indian Students’ Central Association. James also attended several meetings of the India League. He began to read the work of Marx, Lenin, Engels and Trotsky and merged his interest in black politics with Marxist theory. He joined the League of Coloured Peoples, which also had a South Asian membership at this point, and wrote for their journal The Keys. He associated with other black anti-colonialists of the time, such as George Padmore, Amy Ashwood Garvey and Ras Makonnen. As a Trotskyist, James attracted the attention of the Metropolitan Police Special Branch. A 1937 Special Branch report shows that James was a regular visitor to Balkrishna Gupta, an Indian Trotskyist who was reportedly linked to Nehru. In 1938, James was living with Ajit Mookerjee (Ajit Roy), a Trotskyist law student at LSE and friend of Gupta, on Boundary Road, London. James and Mookerjee formed the Marxist Group in 1935 and later the Revolutionary Socialist League. In 1936, James' play Toussaint L’Ouverture was staged at the Westminster Theatre with Paul Robeson in the title role. James was also the cricket reporter for the Manchester Guardian from 1933 to 1935 and the Glasgow Herald in 1936. He was a fan of cricketer Kumar Shri Ranjitsinhji and wrote about him both in his journalism and at length in his work Beyond a Boundary (1963).

In 1938, James left Britain for the United States where he stayed for the next fifteen years. In 1952, he was interned at Ellis Island for passport violations, and upon release in 1953 he went back to England before relocating to Trinidad in 1958. In 1962, he returned once again to England, settling in London for the majority of his remaining years. He died in his Brixton home on 31 May 1989.

Hsiao Ch'ien was born into a sinicized Mongolian family in Beijing, China, in 1910. His father died before his birth and his mother died when he was seven. In 1931, he enrolled at Furen University where he and a young American named William Allen founded the English magazine China in Brief. In 1933, he entered the Faculty of English at Yenching University but switched to the Faculty of Journalism later that year before graduating in 1936.

In 1939, just before the Second World War broke out, he travelled to England to teach Chinese at the School of Oriental and African Studies and serve as a foreign correspondent for Takung Pao. After the outbreak of war, he also served as a war correspondent. SOAS relocated to Cambridge during the Second World War so, after spending one night in London, Hsiao Ch'ien went to Cambridge. He was classified as an 'enemy alien' by the Home Office but this changed after the Japanese bombed Pearl Harbor and the Chinese became members of the grand alliance.

The BBC chose Hsiao Ch'ien to report back to China about the European war and the war effort of the English. Around this time, he became good friends with Mulk Raj Anand and supported the Indian call for independence. He voiced his support for the Indian cause in his weekly BBC broadcast but the censors deleted it before it went on air. Later George Orwell, who was head of the BBC's Far Eastern Division, invited him to do several special broadcasts to the Indians and Americans, but strictly on the subject of literature.

SOAS moved back to London in July 1940 and Ch'ien took up residence in a house that catered especially to Asians; he shared the ground floor flat with a Tamil named Rajarantu, who later became the first deputy premier and foreign minister of Singapore. In wartime London, Hsiao Ch'ien socialized with Bloomsbury Group affiliates like Bertrand Russell, Leonard Woolf and E. M. Forster, with whom he became close friends. According to his autobiography, he first met Forster at the PEN Club memorial meeting for Rabindranath Tagore held on 9 May 1941. However, according to India Office files, this meeting was hosted by Krishna Menon and the India League. The speakers were Edward Thompson, Hewlett Johnson (Dean of Canterbury), Nagendranath Gangulee (Tagore's nephew), Beatrix Lehmann (actress), Bhicoo Batlivala, Helen Kirkpatrick (Chicago Daily Tribune) and M. Maisky (Soviet ambassador). Other attendees included Mulk Raj Anand, Tahmankar, Sunder Kabadia, Krishnarao Shelvankar, Alagu Subramanian, Iqbal Singh, Sasadhar Sinha and Asha Bhattacharya led the singing of Tagore's songs.

In June 1944, Hsiao Ch'ien became a journalist for Dagongbao and set up an office in Fleet Street, London. Soon afterwards he was sent to France and other parts of Western Europe as a war correspondent; he covered the meeting of the United Nations in San Francisco, and attended the Potsdam Conference in July 1945.

Hsiao Ch'ien returned to Shanghai in 1946 and took up writing. He was considered right-wing by the Chinese government and banished to the countryside but later received redress. He died in 1999 in Beijing.

G. V. Desani was born in Nairobi, Kenya, where his parents were working as wood merchants. The family returned to Karachi in 1914, where Desani was educated. He arrived in Britain at the age of 17, to escape from an arranged marriage. When he arrived in England in 1926, he was befriended by George Lansbury, who helped him acquire a reader's pass to the British Museum Reading Room. During this period he also found work as an actor in films. Furthermore, he worked as a foreign corespondent for a number of Indian newspapers and news agencies, such as the Associated Press, Reuters and The Times of India. He returned to India in 1928, touring Rajasthan, on which he subsequently lectured extensively for the Bombay, Baroda and Central India Railway Company.

Desani returned to Britain in the summer of 1939, only weeks before the outbreak of the Second World War.  He continued to work as a writer, journalist, and broadcaster for the Indian Section of the BBC Eastern Service and the Home Division. Desani broadcast both in Hindustani and in English and was praised for his wit, humour and ability as a script-writer. He also acted in radio plays. Furthermore, Desani lectured for the Ministry of Information and the Imperial Institute, regularly touring the regions and speaking to soldiers, schools and university colleges. These lectures featured as one of his Talks Programmes in Hindustani, titled 'My Lecture Tours' (broadcast 8 May 1943). They were widely praised and drew large audiences.

During this period, he wrote his best known work of fiction, the experimental novel All About Mr. Hatterr (later republished and revised as All About H. Hatterr). On publication the book was very well received by critics. For example, T. S. Eliot praised it as a remarkably original book: 'It is amazing that anyone should be able to sustain a piece of work in this style and tempo and at such length'. The critic C. E. M. Joad compared the book to 'Joyce and Miller with a difference: the difference being due to a dash of Munchhausen and the Arabian Nights'.  With its inventive use of language and its endorsement of hybridity, the work is a trailblazer for the fiction of Salman Rushdie, who has acknowledged its influence.

While in England, Desani also published his ‘poetic play’ Hali, as well as short fiction, sketches and essays. Shortly after the publication of Hali, Desani left Britain and returned to India. He was offered a position as cultural ambassador for Jawaharlal Nehru, however he did not take this up. In 1959 he travelled to Burma to study Buddhist and Hindu culture. During the 1950s and 1960 he wrote a regular column, 'Very High, Very Low', as well as articles for The Times of India and Illustrated Weekly of India. In 1967 he was appointed Professor of Philosophy at the University of Texas, Austin, a position he held until his retirement in 1978. He spent the final years of his life in Dallas.

W. B. Yeats was a prolific and prominent Anglo-Irish poet and literary figure.

At various stages of his life, Yeats was influenced by and influenced Indians. As a young adult, Yeats was drawn to Theosophy and met Mohini Chatterjee when he visited Dublin in 1885. After this meeting, Yeats wrote three poems (published in 1889) that refered to India: ‘The Indian to his Love’, ‘The Indian upon God’, and ‘Anushuya and Vijaya’. Yeats was further influenced by his reading of the great fourth century Indian poet and dramatist, Kalidasa. Yeats later wrote a poem entitled 'Mohini Chatterjee' (published in 1933 in the collection The Winding Stair and Other Poems).

In 1912, William Rothenstein wrote to Yeats about the need for an introduction for Tagore's Gitanjali which was to be published by the India Society. Yeats sent his introduction to Gitanjali from Dublin. Yeats was instrumental in having a performance of Tagore’s play, The Post Office, performed at the Abbey Theatre in Dublin in October 1913. As he was so prominent in literary circles, Yeats was also linked to other Indian poets such as Sarojini Naidu and Manmohan Ghose, and encouraged a young Indian student at Oxford, G. K. Chettur, to publish his poems in 1922 (for which Chettur dedicated the anthology to Yeats).

Later in life (in the 1930s), Yeats became friends with Purohit Swami. Yeats wrote an introduction to Purohit Swami's book about his Master, Shri Bhagwan Hamsa. They translated the Upanishads together in Majorca in 1935-6. Yeats introduced Purohit Swami to his friend the stage actress Margot Ruddock, who became a disciple of the Swami's.

Despite his many connections, Yeats did not manage to visit India in his lifetime.

Manmath Mallik trained as a barrister at Middle Temple in 1875. He had travelled to England in 1873 to study at Christ's College, Cambridge. He wrote a number of books about India and was Fellow of the Zoological Society.

In the 1906 General Election, Manmath Mallik stood as Liberal candidate for St George's, Hanover Square. He lost to the Unionist candidate by 2,073 votes. He stood again in 1910 at Uxbridge but was again defeated by the Unionist candidate by 4,719 votes.

Manmath Mallik was the grandfather of Baron Chitnis, the son of his daughter Lucia.

Born in Old Trafford in 1882, Sylvia Pankhurst was influenced in her youth by the political activism of her parents, Emmeline and Richard Marsden Pankhurst, who were members of the Fabian Society and the Independent Labour Party and helped establish the Women’s Franchise League. Wanting to become an artist, she attended Manchester Art School and, from 1904, Chelsea’s Royal College of Art. Her work, which combined socialist realism and Pre-Raphaelite allegory, was influenced by her art teacher, Walter Crane. Following Pankhurst’s arrival in London, her parents’ friend, Keir Hardie, became an important figure in her life. On his return from visiting India in 1909, he discussed with her his findings and opinions. Increasingly involved with the Women’s Social and Political Union, Pankhurst devoted her energies from 1906 onward to fighting for women’s suffrage, becoming known for her militancy. Using journalism to fund her activism, she wrote a series of articles on women’s labour for the WSPU newspaper, Votes for Women, went to America on a lecture tour, and in 1911 published The Suffragette on the movement’s history.

A committed socialist, Pankhurst became involved with working women in London’s East End, and supported George Lansbury MP when he stood for re-election in Bromley-by-Bow on a women’s suffrage ticket. In 1913 she established the militant East London Federation of Suffragettes, which supported trade union struggles including the Dublin lock-out. Pankhurst founded the Woman’s Dreadnought in 1914, later renamed the Workers' Dreadnought, through which she came into contact with Rajani Palme Dutt, who contributed articles to the paper from 1917 until her split with the Communist Party in 1921.

During the First World War she led anti-war campaigns, continued her social welfare work, and began to support revolutionary movements. She met Lenin after the war and, in 1920, helped form the British Communist Party from which she was later expelled. In 1924 she moved to Red Cottage in Woodford Green, where she was joined by Silvio Erasmus Corio, an Italian exile who had briefly converted to Islam in the early 1920s. At this time she wrote India and the Earthly Paradise, a ‘romantic Communist’ contribution to Indian nationalism which ‘may have been the last result of her contacts with fringe elements of that movement’ and was published in Bombay in 1926 (Romero, p. 179). Pankhurst named R. N. Chaudry as a source for the book. It is possible that the seminars she organized with Nora Smythe while living at Red Cottage brought her into contact with ‘like-minded Indians’ (Romero, p. 179). Pankhurst’s path crossed with that of Dhanvanthi Rama Rau a little later, in 1929, when Rama Rau gave an impassioned speech disputing the right of British women ignorant of the realities of India to organize a Conference on Indian Social Evils (Rama Rau, pp. 168-172). Rama Rau recalls being ‘deeply touched’ by remarks Pankhurst made in response (Rama Rau, p. 172).

She gave birth to her only child, Richard Keir Pethick, in 1927. In the 1930s Pankhurst committed herself to promoting peace, fighting fascism, assisting Jewish refugees and supporting Spanish republicans. Ethiopian independence became a consuming concern following the Italian invasion. In 1935 she established the journal New Times and Ethiopian News, which publicized and supported Haile Selassie’s anti-colonial campaign. With her son, Pankhurst went to live in Ethiopia in 1956 and died in Addis Ababa in 1960.

Laurence Housman, brother of the poet A. E. Housman, was a playwright, writer and illustrator. Houseman was a committed pacifist and socialist. He was an early supporter of Indian independence and a member of Krishna Menon's India League.