In the editorial of its inaugural edition, this short-lived periodical states its aim ‘to provide a forum for the discussion of the problems facing this new Asia and those who seek to work in harmony with the countries of the East’. Triggered by the newly independent status of Asian nations, it sought to give a voice to their peoples in order to enable western readers to gain better access to this region of the world. Asian Horizon published short fiction and poetry, essays on different areas and aspects of the continent, and book reviews. Examples include a short story titled ‘The Liar’ by Mulk Raj Anand, a poem by the London-based Aga Bashir, and essays on contemporary Pakistani fiction and an exhibition of Asian artists held in London in 1950. Produced and published in London, it included work by several contributors based in the Indian subcontinent and other parts of Asia, as well as in Britain.

Founded and edited by Cyril Connolly, with financial backing from Peter Watson (who was also its art editor), Horizon was a London-based magazine which published short fiction, essays on literature and art, and book reviews by an impressive range of contributors including W. H. Auden, George Orwell, E. M. Forster and Stephen Spender, who was also the magazine’s uncredited associate editor in its early years. Several of its contributors had connections with South Asian writers in Britain in the 1940s, and the magazine displays an awareness of the work of Indian writers in the form of numerous advertisements for their published fiction as well as for periodicals featuring their work. In spite of this, however, Horizon itself gave surprisingly little space to articles by these writers or about their work. An article on ‘Kalighat Folk Painters’ by Ajit Mookerjee, and an essay on the artist Jamini Roy by E. Mary Milford, are two of the rare exceptions to this tendency to confine itself to Euro-American literature and art.

The Listener was a weekly magazine, established in 1929 under the chairmanship of Lord Reith. It was designed to complement the BBC’s educational output and covered a wide range of topics. It drew extensively from the BBC’s broadcasting output, often reprinting talks programmes or supplementing them with further illustrations and information. The magazine was a controversial move by the BBC. Other magazine proprietors criticised the corporation for encroaching on territory beyond its remit. As a compromise, the magazine was only allowed to commission ten per cent original content and could only feature a limited amount of advertisements.

The magazine built its reputation on its intellectual and artistic output with its focus on broadcasting matters, the arts, intellectual life and politics. By 1948 it attracted a readership of 153,000. It featured contributions from a wide range of artists scientists and intellectuals, such as E. M. Forster, George Orwell, Laurence Binyon, Herbert Read, William Rothenstein and Mulk Raj Anand. In the 1940s it published many items originally broadcast to India by the BBC's Indian Section of the Eastern Service. It featured reviews of Indian authors and also provided comprehensive survey pieces on Indian art, history, and religion.

The magazine covered extensively the constitutional crises from the Round Table Conference to Indian independence with a view of providing a balanced overview of the issues. Politicians and activists from all sides were given a voice, either as part of round table discussions or articles. During the Second World War, the magazine became a useful propaganda tool, reporting extensively on the Indian contribution to the war effort.

After heavy losses the BBC decided to close down the publication in January 1991.

The London Mercury was a monthly magazine published by Field Press Ltd.  It was published first in 1919, one year after the end of the First World War. It sought to fill a gap in the market of literary magazines. According to its founding editor it was unique among other literary journals as it combined the publication of creative writing, reviews of the contemporary literary output, publishing poetry, prose writing and full-length literary essays, and critical surveys of books. Its mission was to foster the teaching of English and the appreciation of the arts.

Especially after Rolfe Arnold Scott-James took over as editor in 1934, the magazine increasingly featured short stories and poetry by Indian writers. It also included survey articles and reviews by Indian writers on topics such as Indian art and Indian literature. Reviews of books on India were also increasingly published by the journal. The journal absorbed The Bookman in 1934. In the  late 1930s, the magazine ran into financial difficulties. The last issue was published in April 1939, after which the journal was absorbed into Life and Letters Today.

The National Indian Association began to produce a monthly journal in 1871 known as The Journal of National Indian Association. From 1886, it was known as The Indian Magazine and then renamed in 1891 to The Indian Magazine and Review. The publishers of the journal were as follows: W. H Allen until 1877; G. Kegan Paul after 1877; Archibald Constable from 1891; National Indian Association from 1914.

The journal included notices about the activities of the NIA, pieces about Indian affairs, information about Indian students, reviews of books about India and (rarely) poems or short stories. In 1896, the Society for the Encouragement and Preservation of Indian Art adopted The Indian Magazine as its mouthpiece and contributed articles on artistic matters.

From 1920, the Journal was no longer able to produce monthly issues owing to financial restraints. The journal stopped printing in 1933 with the retirement of the National Indian Association secretary, E. J. Beck.

The Bookman was a monthly magazine published by Hodder & Staughton. First published in 1891, The Bookman was initially conceived as an advertising tool for Hodder and Stoughton’s catalogue. The journal also published essays and reviews. The journal was quick to respond to new technological innovations, including columns on film, photography and a new supplement called 'The Illustrated Bookman', which featured articles on travel writing and accompanying photographs that from today's perspective could be read as 'orientalist'. These photographs exoticized the locale, highlighting the places' strangeness, otherness and their attraction as a space for adventure and exploration.

Under the editorship of Hugh Ross-Williamson in the 1930s, the journal increasingly reviewed books on India and Indian political issues. Aubrey Menen became the drama critic for The Bookman from October 1933 to May 1934. His columns engaged with the state of London's commercial theatre and argued for an alternative theatre that was poltically engaging and addressed a wider constituency. He also intervened into debates around the creation of a national theatre. He called for a more realist style of acting and lamented the influence of film that in his opinion had lead to a dumbing down of theatre. The journal published a number of survey articles on Indian writing, and regularly reviewed books on Indian politics. The journal was incorporated into the London Mercury in 1935, which was absorbed into Life & Letters today in 1939.

Lucifer was the organ of the Theosophical Society in Britain. It was a monthly journal that included articles about Theosophical teachings and philosophies. The journal also reported upon Theosophical activities.

Life & Letters Today was a monthly literary review magazine which published short fiction, essays on cultural issues, and book reviews. Several well known British literary figures, including D. H. Lawrence, Dylan Thomas and Julian Symons, contributed to the magazine. Mulk Raj Anand was a regular contributor of both fiction and reviews, and the work of several other South Asian writers based in Britain was also occasionally featured. There were three issues dedicated to Indian writing and featuring a range of short fiction and essays by writers such as Narayana Menon, S. Menon Marath, Iqbal Singh and the Ceylonese J. Vijaya-Tunga, as well as reviews of their work.

Britain and India began in January 1920 as a monthly journal in order to promote understanding and unity between the two countries. It was edited by the Australian Theosophist, Mrs Josephine Ransom, in London, and was the organ of the Britain and India Association that began at the same time. The journal included articles ranging from political statements, reviews of books, interviews with key Indian individuals (including Rabindranath Tagore and Sarojini Naidu) to accounts of events in London for British and Indian audiences and reprints of speeches given by Indians in London halls (such as by C. R. Jinarajadasa and Yusuf Ali).

By August 1920, the journal had to be produced bi-monthly, and it was discontinued in December 1920 due to financial constraints. The journal was particularly concerned with responding to the Jallianwalla Bagh Massacre in Amritsar and was keen to make sure the event was not forgotten in its readers' minds. It also promoted women's associations and education for Indian women in Britain. The journal provided regular accounts of the performances put on by Kedar Nath Das Gupta's Union of the East and West. On 30 October 1920, the association hosted a conference on India in London.

The Asiatic Quarterly Review was founded by Sir Lepel Griffin in 1885. Griffin founded the journal as an organ of the East India Association and employed Demetrius Boulger as editor. In 1891, the scope of the journal was expanded beyond just Indian matters to South East Asia and the Middle East and therefore the name was changed to the Imperial and Asiatic Quarterly Review and Oriental and Colonial Record. The third series began in 1896 and was taken over by G. W. Leitner at the Oriental Institute at Woking. In 1913, the name was constricted back to the Asiatic Quarterly Review and the journal was edited by W. MacCarthy Mann and Gilbery Lyne. In 1914, it was published from London and renamed the Asiatic Review as it was now published more frequently during the year.

The journal combined articles from the proceedings of East India Association meetings with other articles on matters relating to Asia. It also included book reviews and comments on international affairs. The journal did not shy away from political matters, and actively encouraged debates from various standpoints. The Asiatic Review is a valuable resource for information about the activities of South Asians in Britain and a number of reviews of books relating to South Asia. In 1915, the journal began a regular section 'Where East and West Meet', written by A. A. Smith, editor of the Indian Magazine and Review, which gave a record of events in Britain relating to 'Asiatic questions'. The journal ceased publication in 1952.