Purohit Swami was a poet, philosopher and Hindu monk. He came to Britain in 1931 and struck up friendships with various British literary figures. As a disciple of Shri Bhagwan Hamsa, Purohit Swami gave a series of lectures on the Bhagvad Gita at the 'Fellowship Club', and became involved with British 'spiritualists' who were interested in helping him set up an ashram in London.

Having been introduced to Thomas Sturge Moore, Purohit Swami was busy writing an autobiography, a biography of Shri Bhagwan Hamsa and his own poems in Britain. Moore introduced the Purohit to William Butler Yeats and from there formed a strong friendship and literary relationship. Yeats wrote the introductions for Purohit Swami's works. They then decided to work together on a translation of the Upanishads for which they went to Majorca in 1935. Purohit Swami was beset by ill-health during the latter part of his time in Britain and after his time in Majorca sailed directly back to India.

Purohit Swami was involved in various scandals during his time in Britain. He fell out with Thomas Sturge Moore because Moore felt he was not properly acknowledged for his help in editing Purohit Swami's autobiography and felt that he had been paid off by the Purohit. Rumours also circulated about Purohit Swami's relationship with a Gwyneth Foden who lived close by in Lancaster Gate and falsely gave the impression that she would finance his ashram.

S. M. Marath was born into an orthodox Nayar background in Trichur, at one time the capital of Cochin State. His ancestral home was Sri Padmanabha Mandiram in Tirunvambadi, Trichur. He combined a traditional South Indian background with a cosmopolitan education, studying for his BA in English at Madras Christian College and later, in 1934, enrolling at King’s College London. He went on to join the Indian Civil Service in London, working at India House after Independence in 1947. He married Nancy, an Irish woman, had two sons and settled permanently in Britain.

A Wound of Spring, his first novel, appeared in 1960 and is dedicated to his family. Prior to this, between 1934 and 1960, he published short stories, critical essays and reviews, and broadcast regularly with the BBC Home, Education and Eastern Service. Whilst Marath regularly reviewed Indian works in British periodicals – by Mulk Raj Anand, Bhabani Bhattacharya, Aubrey Menen, Jawaharlal Nehru and M. K. Gandhi, among others – he also wrote commentaries on British writers, French literature and religious philosophy. His published works are all set in Kerala, South India, close to his ancestral home. Written in English and drawing on a wide range of sources, they explore broad existential questions. In Janu, his last published novel, he addresses specific issues related to the Indo-British encounter which indirectly draws on his experience as an Indian living in Britain. He died in London in 2003.

Born in 1929 to Benegal Rama Rau, a member of the Round Table Conference, financial advisor to the Simon Commission and ambassador, and Dhanvanthi Rama Rau, a pioneer of birth control and president of the All-India Women’s Conference, Santha Rama Rau was a journalist, dramaturge and travel writer. She travelled widely throughout her life, moving to England with her family in 1929, when just six years old, because of her father’s involvement with the Simon Commission. During the 1930s, she attended a Quaker school in Weybridge, Surrey, with her older sister Premila, before moving on to St Paul’s School, London. Her book Gifts of Passage describes the years of her childhood as ‘spent in English schools and in holidays on the Continent’ (p. 23), which underlines the cosmopolitan, elite character of her life. When in London, her parents took in refugees from concentration camps, including Lilian Ulanowsky, a Jewish refugee from Vienna who became guardian for the sisters when their mother went to join their father in South Africa. The family were all in South Africa during the outbreak of the Second World War. Unable to get passage back to England, they decided to return to India, when Santha was 16, to stay with the children’s grandmother. Rama Rau describes returning to India and experiencing nostalgia for Britain in her Home to India, the book which launched her career as a writer and was published when she was just 22 years old.

Rama Rau completed her university education at Wellesley College in the US in 1944, and made her home in New York City from the early 1950s. She married the diplomat Faubion Bowers, an expert on Asian arts and theatre. The two travelled together through Southeast Asia, Africa and Soviet Russia. They had a son together but later divorced, and Rama Rau went on to marry Gurdon Wallace Wattles in 1970.

In her book on Rama Rau, Antoinette Burton describes ‘the modicum of fame [she] achieved’ as resulting ‘mainly from her success at being recognized as an authority on India on the eve of independence’ (p. 4). To the ‘West’, she offered an ‘insider’s view’ of Indian culture, countering stereotyping and Orientalist misrepresentations, especially in This is India. Her literary achievement that is perhaps best known in Britain is her adaptation of E. M. Forster’s A Passage to India for the stage, produced on Broadway in 1962 after runs in Oxford and London, which served as the basis of David Lean’s 1985 film of the novel.

Iqbal Singh was a Punjabi author, journalist and broadcaster. Fearing that their son would become radicalized by the political climate of the Punjab in the 1920s and 1930s, his parents sent him to England and France to complete his education. In London, however, he became involved with a group of politically active writers and intellectuals, including Mulk Raj Anand, Sasadhar Sinha and Krishnarao Shelvankar. With Sinha, Shelvankar and the Ceylonese writer Alagu Subramaniam, he founded the magazine Indian Writing which combined literature with politics and was based at the Bibliophile Bookshop. Indian Political Intelligence surveillance files place him at several meetings of the Progressive Writers’ Association, and he contributed a short story to the first (and probably only) edition of their magazine New Indian Literature. He also attended numerous India League meetings, where he associated with British political figures of the left such as Reginald Bridgeman and Ben Bradley, as well as his fellow Indian writers and activists.

Singh published his first book, Gautama Buddha, an analysis of the Buddha’s life, in 1927 when in his early twenties. It shows the influence on him of European writers such as Shakespeare and Baudelaire, as well as Indian writers. In addition to short fiction, he wrote essays on Indian literature, art, history and politics which he contributed to a number of magazines. He published a book on the poet-philosopher Mohammad Iqbal, and co-edited an anthology of short stories by Indian writers with Mulk Raj Anand, and a collection of socio-political essays on India on the cusp of independence with Raja Rao. It is uncertain exactly when he returned to India. Once there, he continued to work as a journalist and writer, as well as a broadcaster.

Ahmed Ali, best known for his acclaimed literary fiction, was born to Syed Shujauddin, a civil servant, and Ahmad Kaniz Asghar Begum in 1910. Ali attended Wesley Mission High School in Azamgarh and Government High School in Aligarh before beginning his studies in 1926 at Aligharh Muslim University where he met Raja Rao and their English poetry tutor Eric C. Dickinson (Ali’s first mentor), and published his first poem in Aligarh Magazine. Just a year later he transferred to Lucknow University, where he published his first short story and graduated, in 1930, with the highest marks in English in the history of the university.

In 1931, Ali gained his MA from the same institution and became a lecturer there. It was in this year that he also met Sajjad Zaheer and Mahmaduzaffar. With Rashid Jahan, the daughter of the well-known advocate of women's education in India, Shaikh Muhammad Abdullah, the three men produced an anthology of short stories titled Anghare ('Burning Coals') which, because of its political radicalism and also, according to some, obscenity, provoked considerable hostility and was eventually banned. In the wake of this controversy, the four writers became involved in the All-India Progressive Writers' Association which had its beginnings in London in 1934 but its first official meeting in Lucknow in 1936. Ali also published his own first collection of short stories, Sho’le (‘Flames’) in that year.

Soon after the inception of the AIPWA, a rift developed within it; Ali disagreed with Zaheer and others about the function of literature within society, arguing that it should not be reduced to political propaganda. He severed his connections with the association, departing for London in 1939 with the manuscript of his first novel Twilight in Delhi. He remained in Britain for just over a year. During this time, he mixed with writers, both Indian and English. Introduced to E. M. Forster by his distant relative Syed Ross Masood, Ali became good friends with him and was introduced by him into London’s literary circles and, in particular, the Bloomsbury Group. He was one of the editors of the magazine Indian Writing, had short fiction published in John Lehmann’s journal New Writing, and was successful in securing a publishing deal for his first novel, Twilight in Delhi, with Leonard Woolf at the Hogarth Press.

On his return to India, Ali was appointed Director of Listener Research for the BBC, Delhi. In 1944, he left this post and was appointed Professor of English at Presidency College, Calcutta. In the following year, he attended the first All-India PEN conference in Jaipur, with Forster as chief speaker. Later, he founded Pakistan PEN with Hasan Shahid Suhrawardy. In China during the partition of the Indian subcontinent, Ali moved to Karachi in the newly formed Pakistan on his return and began a career in the diplomatic service which took him back to China and to Morocco. He was eventually retired from government service by General Muhammad Ayub Khan’s military regime in 1960, and went on to start up his own business. He was married to Bilquis Jahan and had three sons and a daughter.

During his lifetime, Ali published several more volumes of short stories in Urdu, as well as anthologies of English translations of Urdu poetry, the first anthology of Pakistani writing in English translation, the first anthology of Indonesian poetry in English translation, a study of China’s Muslim population, and his second and third novels (1964, 1985), continuing to produce new works until his death.